
Excerpt from the Encyclopedia Britannica, Year 2352, on "The North American Information Age":
"They transacted."

I'm a rube, I know it. Seeing all this crap in the media about Tom Cruise and his adherence to Scientology got me wondering about the church -- which it was doubtless intended to do. "Through spiritual counseling called “auditing,” Scientologists reduce and ultimately erase the power of the reactive mind. The reactive mind is of no benefit to the individual and is a source of irrationality, fears and nightmares. Its eradication achieves the State of Clear and brings to view the individual himself and is a landmark step in the full discovery of one’s true nature and in ultimately achieving full spiritual awareness and freedom."Sure, I can be accused of taking this out of context, but there are some things being said here that bother me. "The reactive mind is of no benefit to the individual and is a source of irrationality, fears and nightmares." That's a pretty sweeping statement, and a pretty slanted one, too. Isn't the reactive mind also a vehicle toward creating art? Sure, all people should strive to be as rational as possible in their lives, but don't we also need flights of imagination, or that "irrational" sense of discernment that sometimes tells us something is fishy even when we can't put our fingers on what is wrong? Ideas for stories and characters and verbiage come to me in a very reactive manner. The above sounds like a description of psychic lobotomy, and its casual wording makes this creepy process sound all the more chilling.
Uh, yeah, this entry will serve as my official -- first and final -- letter of resignation to the mainstream media: I'm no longer (and haven't been for quite some time) a member of your audience.
This outrage is peer to Dan Rather's similarly ridiculous reporting about the assassination of President John F. Kennedy. Dan Rather was not only in Dealey Plaza at the time of the assassination, he was actually standing on the overpass looking down onto the assassination scene. He could not have had a more comprehensive vantage point. While more than two dozen people standing near and around Rather reported hearing shots coming from the grassy knoll area to the front, right of the presidential limousine, all Rather could report was how the presidential limousine jumped the curb -- alerting sharp-eyed Rather than something was amiss -- when the shots rang out. By now, tens of millions of people have seen the Zapruder film of the assassination. No matter what you believe occurred in Dealey Plaza that day, there's no question that the presidential limousine did not leave the roadway, did not jump the curb, or otherwise swerve.I am a Canadian citizen living nearly two years in Ireland. While at home in Ontario during Christmas of 1998 I had occasion to watch CNN and saw an advertisement about its coverage of world events. It involved a stirring classical score and a collage of images from around the world. And what absolutely offended, outraged me and ruined my day was that you would show a photograph of Saddam Hussein standing by a window, smiling, and that your image of Ireland was the Irish flag draped over a coffin.
That is outrageous, coming from a company based in the most violent country on earth. I moved to Ireland because it is the most civilized, cultured and humane country on the map. It even beats Canada, and that's hard to do.
I'm sure you cut-and-paste media drones only care about "maximum impact", but CNN (already lowly and direputable in my estimation) fell to an all new low.
Shame on you.
Watch your own newscasts and count how many coffins are being carried down the steps of your precious church-houses. Your "kids killing kids" and all of that.
Your ignorance is woeful and inexcusable.
I read in the news today that a Romanian orthodox priest crucified (and killed) a nun whom he judged to be "possessed by the devil." He is not only unrepentant about this act, but actually presided over the nun's funeral mass, saying that the thunder heard in the distance (part of an approaching storm) proved that he had been correct in his ajudication that the nun had been possessed by the devil.
Matt St. Amand, as a person and an artist, has gone the way of sliver plastic workout suits, spray-on hair, and the Grapefruit-45 diet. I'm a cooper in the land of Tupperware. A blacksmith setting up shop next to Dow Chemical. A soothsayer in a land where nobody gives a shit about sooth anymore.
Conversations erupted everywhere, as though I were reading in a movie theater showing a Richard Gere movie. I read from my non-fiction piece Xavier Lipshitz & William Zuma, which has proven quite popular with readers as well as audiences at readings. I couldn't get it off the ground. It was like reading on the Log Ride at Cedar Point. I wish there had been some outright hostility, something more than poor manners and confusion on the part of my audience, at which to lash out. I ended up stopping before the proper end, uttering a wan thanks, and removing myself from the front of the room. It was horrible.(And it was the kind of abortive evening where one of the guys working behind the counter was someone with whom my wife attended high school. She pointed him out to me tonight and said that I had met him once before. I didn't recognize him. Then she said, "He was the guy from HMV." That's all that needed to be said. A few years ago my wife and I were at HMV. I was off looking at something, and when I caught up to her, she was talking to this guy. As I approached, my wife turned in my direction and said, "Here's my husband, now." To which the guy looked right over my shoulder, right past me, and said with absolutely no purposeful zing, "Where?" I still laugh over that story to this day. My wife was a well-sought-after lass in secondary school, and I am slovenly, graying, and improbable.)
This friendly, genial-looking young man attempted to cross the U.S./Canadian border on April 25th while carrying "a homemade sword, a hatchet, a knife, brass knuckles and a chain saw stained with what appeared to be blood."
The fiction market is such that nowadays simply receiving an acceptance with the promise of a single contributors' copy as payment is enough to satisfy most modern, working writers.Vol. 1 No. 2!
It's!—well, it's almost out; it went to print today.
If you look into printing at all you will find there is no cheap way to print a publication in color. This is our problem. Copies will cost about twenty-five dollars—undoubtedly steep, especially for a magazine still in its infancy. We simply do not have enough subscribers to justify a lower printing cost at this time. This, coupled with the necessity of copies for distribution and exposure—without which no magazine can survive—has left us with insufficient funds with which to purchase contributor copies. We just do not have the money, and as much as we realize this a travesty—practically criminal—there is nothing we can do. And we apologize; we hope you undestand. If it's any consolation, we believe we have produced an independent publication of greater quality than most—design and content being equally important—aimed at representing your work to the best of our ability.
Thank You,
The Editors
Blank Magazine
Given this information, I respectfully withdraw my work from Blank magazine. Had I known I would have to pay $25 (U.S. funds; this works out to be $31 in Canadian funds, plus shipping) for an issue to see my work in print, I would not have consented to being a part of this.
The situation as described in your e-mail makes me feel like my work has been highjacked and is now being ransomed back to me. I have published in many magazines, and never run into a situation remotely like this.
As of the sending of this e-mail, I will consider my stories "Der Komplex" and "Coup on Liberty Crescent" to be unencumbered, and will begin submitting them elsewhere for publication.
This is a show-stopping detail. Sorry Blank, but get your shit together.