Friday, November 20, 2009

XML Choking Incident

12:14 p.m. instant messenger transcript taken from the IT department of WorkplaceUSA:

Zuber1101: We might have our own choking incident going on now. Look behind you

LockKnot4: nice

Zuber1101: Clem's trying to mask it but I think he’s having trouble If I get to do the Heimlich maneuver I want you to write the newsletter article

LockKnot4: < ?xml version="1.0" encoding="UTF-8"? >
                  < choke >
                  #pasta#
                  < /choke >
                  < eject > < /eject >
                  < /xml >

Zuber1101: Hey, I think that actually worked

LockKnot4: whew good

Zuber1101: Just what he needed

LockKnot4: well-formed safety training technique It’s all in the parser I can’t take the credit

Thursday, November 19, 2009

Hurrah for Laziness: The Imbecilization of Children

Lawyers do what they do: they sue. And rotten parents do what they do: anything to get out of parenting. And the kids . . . well, who the hell cares about them?
From The Guardian: Sherri and Tom Milley, two lawyers from Calgary, Alberta, launched their highly unusual case after years of struggling to make their three reluctant children do school work out of the classroom.

After waging a long war with their eldest son, Jay, now 18, over his homework, they decided to do things differently with their youngest two, Spencer, 11, and Brittany, 10. And being lawyers, they decided to make it official.
What a victory for the further imbecilization of children! Of course homework won't turn any child into Stephen Hawking. No, it's worse -- having to do homework might teach responsibility and self-discipline; impart the notion that one is responsible for one's actions. None of which has any place in our drive-thru, zombie-consumerist, Me first! world.
More from The Guardian: "It was a constant homework battle every night," Sherri told Canada's Globe and Mail newspaper. "It's hard to get a weeping child to take in math problems. They are tired. They shouldn't be working a second shift."

"Why were we putting our family through that stress?" she wondered. "If we don't want it all, we shouldn't have to have it."
. . .
"We think it's a parent's right to choose what's in our children's best interests," said Sherri. "But we're thankful the school did the right thing."
Well, I'm sure Sherri was thinking of someone's best interest, but I don't think it was her kid's. If we don't want it all, we shouldn't have to have it should be emblazoned on a bronze plaque.

So, good on you Sherri and Tom Milley, liberators of children, freers of the oppressed, lifters of the lowly, speakers for the mute, and excuse forgers for the terminally lazy. Score one in the Win column for mediocrity, ignorance and the further erosion of character in the North American ambulatory biped.

The following suggestion may fall into the category of the accursed "homework," but I do hope that Sherri and Tom Milley's children do learn a couple phrases before they grow out of tween-pain-in-the-asshood to shiftless twentynothinghood. Those two helpful phrases are: "Welcome to Wal-Mart" and "You want fries with that?"

Wednesday, November 18, 2009

Soundboarding Part II

Read Part I

One day, the doorbell rang. A lanky man in a pinstripe suit, and sporting a Chaplin mustachio, stood on the front stoop. When Corman opened the front door, the man introduced himself as Nipsey Krimp. He said that he represented a research company called Microsecond Arbitrage, which was interested in speaking to his wife. Corman asked how Krimp had heard of her.

"We're a technology company," he said slyly. "We have ways of finding new talent."

"New talent?" he said. "But she already has a job."

"Yes, I understand that," Krimp said. "But still, I'd like to make her an offer."

He had certainly timed his visit right -- it was then that Alva came home. Corman was about to ask Krimp to leave, but Alva wanted to hear what he had to say.

"I can only speak to Mrs. Corman," Krimp explained. The look Corman got from his wife told him to leave them alone. They adjourned to the living room, and Corman pretended to go to his office.

Being a Hearist, however, Corman was able to hear the conversation by lingering in the hallway outside his home office. He didn't catch everything that was said, but did hear "special skills", "security clearance", and "national security."

Corman went to his office and ran some Internet searches on Microsecond Arbitrage. He learned they were a military contractor that worked closely with the CIA. He couldn't imagine what they'd want with Alva. When Krimp finally left, Alva said she wasn't at liberty to fill him in on the purpose of the meeting.

"But that's crazy!" Corman said. "A stranger comes here out of the blue, demands to speak to you privately, and you can't tell me what he wanted?"

"I'm sorry," she said and went into the kitchen to make something to eat. As she made a BLT, it sounded to Corman like she was using claymores and marching band cymbals to accomplish the task.

* * *

A week after Nispey Krimp's visit, Alva informed Corman that she had been offered a job that would take her out of the country for an unspecified amount of time.

"Does this have anything to do with Krimp and his outfit?" Corman said, incredulous.

"I can't say," Alva said.

Two weeks later, after Alva finished up at her job, she left to work for Microsecond Arbitrage. Following a two-week orientation with them, the nature of her assignment was revealed. Nipsey Krimp, her case manager, filled her in.

"You're being assigned to a location known as 'The Barracks.' It's a reconverted cruise ship, outfitted with cells and interrogation rooms, where only the most high value prisoners are kept."

Luckily, the employee living quarters there hadn't been changed from those the luxury cruise ship had before becoming The Barracks. The mess hall was the same opulent dining room -- complete with patriotic ice sculptures -- where passengers once dined. There was even a swimming pool and gym area available to all employees. Alva settled in quickly and soon felt like she was on vacation.

Then Krimp paid her a visit.

He was grim as he showed her a picture of the first prisoner she would assist in interrogating. "Ozi Blaze Kuku is impervious to physical pain," Krimp explained, leading Alva from her cabin down several decks to the windowless interrogation room where she would be working.

"His pain threshold is off the charts, so we've been unable to induce him to give us information using any of our conventional methods," Krimp said. "We're hoping that you can break him."

Krimp led Alva into the interrogation room. It looked like the kitchen of any ordinary middle class North American home. There was a counter with a stainless steel sink, cupboards filled with dishes, drawers filled with cutlery. There was a refrigerator stocked with food, and even a dishwasher. The only thing that appeared out of the ordinary was the heavy wooden chair bolted to the tile floor a few feet away. It had thick leather straps for binding occupants at the arms, legs and head.

Off to the side was a table with recording and stenographic equipment.

As Alva familiarized herself with the interrogation room's kitchen, Kuku was led into the room under guard. He was in shackles and had a black hood over his head. The guards placed him in the chair, fastened him in place without taking off his shackles. Then pulled the hood away. The guards left the room and remained at the door outside.

Kuku blinked, blinded momentarily by the fluorescent lights beaming off the white kitchen walls. When his eyes grew accustomed to the surroundings, his dark gaze fell on Alva. His face cracked into an unpleasant smile. Suddenly, he laughed. He spoke something in his native language, Mqqistani. Alva didn't understand.

A slight crackle came from a speaker in the ceiling, followed by Krimp's voice: "Agent 48Q, You may commence loading the dishwasher."

Kuku watched Alva open the dishwasher. After his extraordinary rendition from Mqqistan three years before, he was subjected to months of waterboarding, stress positions, sleep deprivation and sirens blasting in his cell. Little did the infidels know that these techniques merely replicated the experience of attending a Kuku family reunion. Now it appeared that the Agents of Satan were trying to bore to death.

"It will never work," Kuku said in Mqqistani. He began to laugh again, but the cackling caught in his throat when a coffee mug slipped from Alva's hand. The mug slammed onto the kitchen counter and crashed to the tile floor.

Alva began loading the dishwasher.

Outside the interrogation room, the two seasoned guards heard Kuku's moans morph into wails, and finally into shrieks. His cries were counterpointed by a bizarre onslaught of banging and crashing, and the random clank of cutlery in the stainless steel sink. By the time they re-entered the room thirty minutes later to return him to his cell, Kuku was a gibbering, weeping mess.

* * *

Back home, Corman soon found the silence in the house overwhelming. He piled dishes precariously in the sink, hoping they would slowly dislodge themselves over time, and clank and shift, and fill some of the void. He asked friends to come over and attempt to simulate the racket Alva made. They were no help. They broke a pile of dishes, but never recreated his wife's dynamic discordant noise.

At one point, Corman hired prostitutes to come to the house and load his dishwasher, bake brownies, or cook omelets. Most of the bewildered girls balked entirely at the weirdness of the request, but the few who made the attempt only managed to arouse Corman's lonely missing of his wife.

He eventually took the radical step of buying several sets of dishes, piling them on the roof of his house at various points, and waiting for the wind to blow them off. The noise of it was random, all right, but it did more to unnerve the neighbors than assuage his missing Alva.

When the doorbell rang one day, Corman rushed to answer it, hoping it was Nipsey Krimp come to say Alva's assignment was complete and she would be coming home.

No such luck. It was the local police making a "wondering if everything's all right" visit.

* * *

For her own part, Alva made short work of the high-value captives in custody. She had reduced them all to pliable, pitiable putty. After two months at The Barracks, she was reassigned to The School of the Americas at Fort Benning, Georgia where she was made instructor of advanced interrogation techniques. It seemed the military was on the verge of a near-fool-proof mode of interrogation with her "soundboarding," as they called it. The only trouble was, no student -- regardless how accomplished a torturer or dedicated a murderer -- could master Soundboarding. No one could replicate the sheer randomness and spectrum of Alva's domestic cacophony. Her students were tested by physicians, and finally she went through a battery of physical and psychological tests.

Dr. Fangolini, senior physician of the S.O.A., summed up the findings this way: "Mrs. Corman is the absolute embodiment of Chaos Theory."

In order to allow her to return to civilian life, several weeks' worth of video footage of her making omelets, baking browniess, and, of course, loading and unloading a dishwasher, were made. They were played back during interrogations.

After almost ten months away from home, Alva returned. During her time away, she'd only been allowed to write to him once a month, and was not allowed any of the mail Corman sent in care of Microsecond Arbitrage. She was given a bundle of Corman's letters to her to read on the flight home.

She returned to find a chastened Corman, and kitchen filled with regular dishes and cutlery -- gone were the carbonized silentware Corman had purchased in the months before Nipsey Krimp's initial visit.

Life in their ordinary neighborhood returned to normal. Exhausted as she was from traveling, Alva gave in to Corman's request that she make them omelets for dinner. As he sat in his office -- listening to sounds that brought to mind lead pellets being dropped on the roof of a tin shed; machine gun fire striking empty oil drums; and ceramic cats being hackey-sacked with hollow, aluminum feet -- he strove to hear the percussion in it all. Alas he could not, so he simply decided that his nervous system now wore a dog collar and a gimp mask.

Tuesday, November 17, 2009

You think it's tough in the Marines?

Fuck Chuck Norris. Letting your Freak Flag fly in locales where the flag of choice is of the Confederate variety takes balls. Thanks to The People of Wal-Mart, we have visual proof of the most underrated tough guys in America.


Take these dudes in Kill Your Mama, Arkansas. You can't run in heels like that.


Or, these soldiers of personality in Screwjack, Louisiana.

Who are these emissaries of Freakarctica, the nation state of the fashionably audacious, up against? What sinister force opposes their individualism? Who is their chief malefactor?


The Great Wheeled Bigot who scours the landscape with his sniper's gaze looking for an opportunity to tear down someone's Freak Flag. Like this tough-o in I-Am-Who-Am, Mississippi.

The Culture of Rip-off

Why are most packages of food we buy only half-full?

I'm not saying that cereal boxes should be so jam-packed that they'd explode like a box filled with gag spring-snakes if they fall to the floor. I am, however, sick of this "hocus pocus" packaging where I buy a box of cereal that's X size, only to find a bag within it filled half-way with the actual cereal. It's not that I believe I've been overcharged; the cereal box has a weight stamped on the front, and I'm paying for that. I'm talking about the psychological effect of buying a bag of Doritos, opening the thing, and seeing it's only half-full.

I think that would be a pretty easy eco-solution right there to stop wasting energy and resources on extra, unnecessary packaging. Product packaging should fit its contents, with a spread of no more than five percent in the case of bags of chips, and the like. When it comes to more sturdy packaging, the spread should be no more than one percent.

I bought some protein powder mix because I wanted more protein in my diet, but didn't want to eat more meat. The smallest thing I could buy was an industrial-sized bomb-like container of the stuff. I got it home and was mystified to see that it was barely half-full.

Is all that excess empty space there in the event the customer happens to drive their car into a body of water, and might last a few minutes longer by breathing the spare Dorita oxygen from the bag? Or by pricking the seal in the top of the protein powder, and breathing in its excess air? I can see some poor sap pulled from a river after driving his car off a causeway, and while he's still dripping, saying to a probing news camera, "I never would have made it if it hadn't been for the extra oxygen that came with my granola cereal. I owe my life to Post!"

That might be an interesting experiment: Take a corporate executive from one of these food companies, and see how long he could last under water on the excess air found within a week's worth of groceries for a family of four. We would, of course, have the git floating in the tank dressed in his business suit. He'd be given an eye-glasses screwdriver with which to puncture the packaging, and then we'd watch him suck all of that "good corporate citizen" oxygen right from the packaging. I'd watch that on Oprah.

Makers of ground coffee are the only ones who get it right. I open a new can of coffee and I'm completely satisfied with how full it is. So, there is a precedent. This can be done.

It's all part of the culture of rip-off: people have been conditioned to expect less for more. You'd never know that by the execrable advertisements that bombard us every hour of the day. To go by those works of science fiction, you'd think all businesses operate at a loss, and areound simply due to their love for the brotherhood of humankind.

Consumers should demand "actual packaging": packaging that actually fits what they're buying. I'm tired of being conditioned to feel that getting ripped off is OK.

Monday, November 16, 2009

Hunter Ceiling Fans: Spinning nowhere fast

First volley
Bought my Hunter ceiling fan at Costco months ago, and was appalled to find that the product came missing parts -- the "remote control receiver" and 3 6-32 machine screws. That's completely unacceptable, but what's been worse is the absolutely atrocious Hunter customer service. My wife and I have called more than once to have these items sent to us, and after literally months, we've only received the remote control receiver. The screws sent to us were the wrong ones. How does a company like Hunter pass itself off as a credible entity when it cannot get even the most basic aspects of packaging and problem resolution straight? Well, I'm a blogger and plan to share my experience with the Better Business Bureau and with http://consumerist.com/. I don't take kindly to being treated like a fool.

Reply from Hunter
Thank you for your email. We apologize that you have experienced a problem receiving replacement parts. Please provide the order number or phone number used when you contacted us so that we can locate your order in our system. We apologize for the inconvenience.

Please contact us again with the requested information for further assistance.

Second volley
"Please provide the order number or phone number used when you contacted us so that we can locate your order in our system."

Is that a joke? Are you joking with me? Could you put an already inconvenienced customer to more trouble? Should I also include the birthday and favorite color of the operator to whom I spoke?

After an arduous 17 minutes, most of which was only various forms of "hold", I spoke to a Hunter operator today and learned the screw I need is on back-order and won't be available until January 2010. Where do you get your screws? The planet Crypton? IT'S A SCREW. Do you have a single person machining your screws for your entire customer base? Ridiculous upon ridiculous. Hey, I'm only some moron who was stupid enough to buy your product. I mean, who am I that I should impose myself upon Hunter? In fact, accept my apologies for bothering you, for taking up your time.

You know what? You know that strange mental meme in Korea called "fan death?" Where Koreans are terrified of being in a room, or sleeping in a room where is a fan? I hope the fear of fan death sweeps North American. I hope it sweeps your entire customer base. Because given the level of incompetence Hunter has exhibited in my brief experience, I think it's equally irrational to purchase anything from a company that is so backward and upside-down that it takes upwards of nine months to provide a customer with THREE SCREWS. It takes nine months for a human being to form in the womb and be born -- and that's how long it takes Hunter to send me three screws that should have been in the fan I bought in the first place. Screw. Human being. In Hunter's world, both have the same gestation period. Insane.

Sunday, November 15, 2009

Soundboarding Part I

Corman couldn't help himself. When he heard a sound from outside, or even from another room, that he could not place, he immediately ascribed it the oddest, most absurd origins. When he lived in an apartment, the rolling sound that came from his upstairs neighbor (probably an office chair on the hardwood floor), brought to mind an image of her rolling cannon balls across the floor, or playing snooker while lying on the floor: the object to send balls through the legs of chairs, banking them off the molding so they came out from under the center of the couch. Or, the times random bangs of objects falling startled him, he imagined her learning how to juggle with lead replicas of parakeets.

During college, Corman rented a room in a neighborhood that had a strangely dense population of dogs whose owners left them tied up in their respective back yards all day and all night. Few of them, though, even seemed like actual dogs. Most were mangy, sloppily cross-bred hulks, seeming to be part hyena, part jackal, part hobo. Taking the back alley as a short cut to school was like walking the gauntlet in a maximum security prison: the dogs all coming to malevolent life as Corman passed. All of the dogs rushing their back fences, growling, barking, snarling. The din was terrible, but what was worse was that it somehow seemed personal. The dogs seemed to single out Corman as someone they hated and cursed, reviled and spat upon. The dogs only lacked were bandannas and tattoos, to make the prison gang scene complete.

That was years ago, and Corman was now married and a homeowner, struggling each day to sustain the pretense of ordinary life in his ordinary neighborhood. But the ordinary neighborhood was its own hotbed of alien clamor. Once, while relcined on the couch, Corman heard a loud, insectile sound circling the block. He imagined a teenager on the street was flying a fully weaponized remote control kill-drone around the neighbor; a military-surplus eBay gift from his engineer father. When Corman finally troubled himself to look out the window after the sixth or seventh pass, he saw a full-grown man astride a motor bike the size of a lapdog. It was incredible he could fold his body onto the tiny contraption. By the look on his face, one might have thought the man was test-piloting some nano-technology death-machine. As Corman went back to his book, he imagined the man taking the mini mini-bike to a gas station for fuel, cradling it like a cat and gently feeding it the gas pump nozzle.

Other times, the neighbors further down the street blew off fireworks (there was no rhyme or reason that brought out the fire crackers; it need only be sundown and not snowing outside), Corman imagined a hillbilly, musket shoot-out amid the beer-swilling horde, whom he mentally monikered "The Philistines." They were harmless people, he guessed, but there were very much outdoor people, who gathered around picnic tables like a hunting party, like some primitive council; like the start of society. Especially when they gathered around a bonfire that they built in the middle of one of their driveways. They hooted and hollered into the night. As Corman grew restless one night against their snarling-jovial sounds, he wondered if he might walk by the driveway the next morning -- fold-out lawn chairs askew and overturned, beer bottles everywhere -- and see the charred remains of a human leg or torso in the raised metal pit where they fired up the ritual flames each night.

Proximity had everything to do with the amount of mental anguish the sounds caused Corman. Low-flying jets rankled him. The mini mini-bike irked him. The Philistines annoyed him. But, unfortunately, some of the most torturous sounds occurred right in his own home: Corman was married to a Soundist.

Soundists don't hear their own noise. No one has yet determined if "Soundism" is a neurological condition, psychological in nature, or simply a myth created by complaining Hearists (those who seem to hear everything).

On the grand whole of things, Corman was enormously lucky. His wife was lovely in all ways: temperament, looks, sense of humor, compatibility, etc.. All except one: she was a Soundist. Not only that, she was a virtuoso Soundist. When she loaded the dishwasher, the cacophony was so great, Corman imagined her standing in the kitchen wearing a football helmet and smashing plates, bowls and cutlery into the open dishwasher with a tennis racket. Everafter, he demanded that the dishes and their cleanliness and use-readiness be my responsibility; that the dishwasher be my domain. Eventually, he found us clang-resistant carbon-wrapped cutlery; indestructible, yet made no more sound than a rubber ball when dropped on the tile floor.

The slamming and banging that occurred when she cooked filled him with images that she worked with mallets and jackhammers and small explosives. Afterward, he ensured that dinner preparations were under my purview, silent salads and quiet frozen lasagnas and quesadillas became the order of the day.

When she cleaned, he imagined her punching holes into the walls with white phosphorus and C4. He took care of that as much as he could while she was at work. That, and the laundry as well. Whenever she went downstairs into the unfinished basement, sounds began to emanate upward like those that might be heard in a mine shaft: the screech of metal against stone, the rumbling rock of explosives splitting great mounds of earth, strange clanging as though someone dropped a metal lunch bucket down a narrow, stone-walled well.

She never meant any harm, that was obvious enough. There were times the noise was so egregious, Corman would huddle in his home office and simply listen to the great crashing and rending beyond his closed door. When he emerged, he always expected to find structural damage to the house; blackened holes in the walls, the smell of burnt hair and wiring pervading. But he never did. Everything was fine.


Part II

Saturday, November 14, 2009

Bent over the barrel so long, it hurts to straighten up

My favorite café recently tried an innovative promotion: Name Your Own Price Night. Patrons were invited to pay whatever they wanted for their drinks. If they chose, they could have treated themselves to some special concoction that might have normally run four or five dollars, and paid only a dollar for it. Or, if they were of a charitable mind, they could have paid a little more for their usual, and helped the proprietor out.

Of all the possibilities such a night held, what actually occurred was rather surprising to all involved: patrons were irked, rankled, put-out, bothered, cheesed-off, displeased and otherwise unwilling to name their own price. They just wanted to pay what they'd always paid.

I didn't happen to be there that evening, so I didn't witness this firsthand. But hearing, later, from reliable sources, I was mystified. As described to me, patrons were utterly baffled and bewildered by the prospect of naming their own price for their drinks. It rattled them. The response to the evening's promotion was overwhelmingly negative.

Which made me wonder: Did the proprietor unwittingly tap into the rancid gene within our fellow citizens that makes us all such easy prey for our wanton, irresponsible, tax-addicted politicians? Have people been bent over the barrel for so long that it's too painful to straighten up? Must be.

In the 1980s, there was a popular television show called Real People, which featured strange and quirky -- usually funny -- people from around the United States. I recall one segment they did on a restaurant that allowed patrons to pay whatever they wanted for their meals. On its face, it sounded like a business plan drawn up by the Mel Brooks character, Max Bialystock, fully aimed at sinking the restaurant. But, strangely, patrons were not only honest -- no one ever ordered a full meal and then paid only a dollar for it -- they tended to overcharge themselves. It was a great story about common decency and honesty.

The concept can and has worked. So, what's wrong with the people where I live?

I believe this case is the first tangible evidence I've come across of not only the existence of the flaccid tyranny under which Canadians live, but also its effect. Canada has no PATRIOT Act, no Guantanamo Bay, no Blackwater, no extraordinary rendition.

What we have may be worse: A decades-long bureaucratic coup d'etat. Domination by pencil-pushing, paper-shuffling career civil servants. Beancounters as potentates. All of whom have bent The People, not with brutality, but with bland fish-eyed blankness, officiousness, and a lust for the fine print. They have broken The People with the death-of-a-thousand cuts insult to the brain, to the spirit, to the soul with fine upon fee upon surcharge upon tax. Taking and taking and taking, whittling away every corner and edge of a citizen's income and sustenance and pleasure. And always devising new attacks, such as the so-called Harmonized Tax.

My overwrought imagination sees the people who wouldn't name their own price for their drinks as abused children who go stand in the corner on their own the moment they sense they may have done something wrong.

Where is civilization at when civilians have been so woefully mistreated for so long, that they cannot partake in a fun night where the foot of the Crown is not firmly on the back of their neck? It's as though people don't recognize freedom or fairness when they're faced with it. Or, at the very least, don't know how to enjoy or avail of it.

Being allowed to stop banging their heads against the Wall-of-Taxed-to-Death-life, my friends and neighbors didn't enjoy the cessation of pain, they worried that they might have broken the wall. And might have to pay for it. And pay tax on that payment. Or be fined, or written up, or marked down in the "red" column of some desk jockey's ledger.

Thursday, November 12, 2009

Canadian Indoorsmen name new Poet Laureate!

The Fraternal Order of Canadian Indoorsmen announced today that Robert Earl Stewart, author of Something Burned Along the Southern Border is its new poet laureate -- in recognition of this book's important contribution to literature.

Brother Stewart was among the founding members of The Fraternal Order of Canadian Indoorsmen, and pioneered "Frontporchmanship" in 2002. He has been a loyal and dedicated member and shall hold the position of Poet Laureate for one calendar year.

Congratulations Brother Stewart!

Taobh istigh go bhfuil ár amach na ndoirse (Indoors is our out of doors)

Tuesday, November 10, 2009

The Reading

It was autumn, once again, and time for The Festival of the Book in the wee city of Boilston. The largest meeting place in the locale -- the Arnold "Gabby" Goone Local 758 union hall -- was spiffed and stocked with bookmarks and programs, flyers and stacks of 70- and 80-page books authored by the events' readers.

The emcee for the poetry evening was Graydon Gobshyte, "professor of Humanities and Inanities at the university," he chuckled, introducing himself.

Graydon dressed in Lord Byron black, cinematically contrasting his white push-broom mustachio and hair, which he wore in a "come-as-you-may" Princeton cut. He sat upon "a stool-like structure," as he pithily referred to the tall stool at the narrow lectern at the head of the room. He surveyed the audience for the poetry reading.

"Birds are like raisins," he addressed the audience. "Verse are like caymans. Incandescent. Omnipresent. Apoplectic. Epileptic." He enjoyed the sound of his voice in the ringing silence; pinging on the mind of each eager listener like a felt mallet on a xylophone bar. His British-Albertan-Kentuckian accent was in fine tune.

"Poetry is sheer, shocking, volatile and eggshell. Tomahawk. Roadblock. But most of all -- as Summerhanz said of Quarendon's work -- 'It does nothing.'"

Graydon smiled without smiling, pleased with his parry. "It gives me great pleasure to introduce the first reader in our program. He is a poet who has won numerous national and international awards. Among them, he has worn the Fitzcummings Poetry Speedo three years running in Grand Bend, Ontario. Was awarded the Clint Astor Quill in Pegasus, Illinois. Held the Hamish Ludon Chair for an entire half summer session semester in Fogshire, U.K., and whose work has been anthologized throughout eastern Europe and the Caribbean."

Dramatic pause.

"I give you, Oscar Winner."

Polite applause.

Oscar came forward, a bent, balding man who might have been forty or sixty years of age. His countenance was a circuitboard of tics and twitches. He regarded the audience with a series of quick, bird-like glances. In his hands, he clutched a saddled-stitched copy of his most recent book of poems: Dreamcatching Canoes of the Solar Distance Fog Bank.

"Thanks," he muttered in a voice like a rusty hinge; his "S"s sounded like a blast of static coming from the back of his throat. "Thanks so much."

He read part of a sonnet cycle in which he envisioned quilts his grandmother quilted as canned preserves; marmalade mosaics of memory.

When Winner finished the third Petrarchan sonnet, Graydon led the polite applause, seeming more to chase the anemic poet away from the lectern, clapping his hands, than applauding his reading. There. Graydon had his audience back.

"I don't think it's too early in the day to quote Aristotle," he chuckled, "who was at his most priggish and provocative when he said, 'Από ό, τι έχουμε πει ότι θα πρέπει να θεωρηθεί ότι η λειτουργία του ποιητή είναι να περιγράψει, δεν είναι αυτό που συνέβη, αλλά ένα είδος πράγμα που μπορεί να συμβεί, δηλαδή ό, τι είναι δυνατόν ως πιθανή και αναγκαία. Η διάκριση μεταξύ ιστορικός και ποιητής δεν είναι στην πεζογραφία μία γραφή και το άλλο στίχος-μπορεί να θέσει το έργο του Ηροδότου σε στίχους, και θα εξακολουθεί να είναι ένα είδος ιστορίας? Αποτελείται πραγματικά σε αυτό, ότι εκείνο που περιγράφει το πράγμα που έχει, και το άλλο ένα είδος πράγμα που θα μπορούσε να είναι. Εξ ου και η ποίηση είναι κάτι πιο φιλοσοφικό και της εισαγωγής πιο σοβαρή από ό, τι ιστορία, δεδομένου ότι οι δηλώσεις του σχετικά με τη φύση της μάλλον καθολικές, ενώ εκείνα της ιστορίας είναι singulars. Με την καθολική δήλωση εννοώ ένα ως προς το τι έχει ή τέτοιου είδους άνθρωπος είναι πιθανό ή κατ 'ανάγκη να πω ή να κάνουν-που είναι ο σκοπός της ποίησης, αν και σφραγίζουν τα ίδια ονόματα με τους χαρακτήρες? Από μια μοναδική κατάσταση, το ένα ως προς ό, τι , λένε, ο Αλκιβιάδης είχε ή είχε κάνει γι 'αυτόν.'"

Humble pause. Graydon then introduced the next reader: a shockingly heavy woman named Maryanne Haywire, who read several poems about works of art, she explained, which didn't exist. She smiled over her clever premise as the audience pretended to understand it.

Halfway through her reading, Rena Carmichael -- a dedicated bingo player who had come to see her neighbor, Cyril Beacon, read -- burst into a hectic coughing fit. She was led from the room by Ron Crux, the undertaker, who was also there to support Cyril. Maryanne was sufficiently unnerved and knocked out-of-synch by the coughing fit, that she stopped reading and returned to her seat. The audience encouraged her to continue, but Maryanne waved them off, her eyes watering, cheeks burning, hoping Rena was showing the first signs of esophageal cancer.

Graydon returned to the lectern with bon mots in Latin and French, and reminders of wine and cheese following the reading.

More poets were introduced, their awards and accolades recounted like obscure battlefield victories: The Poetry Necktie of Nile, Newfoundland, The Platinum Slipper of Provance, Yukon, The Knotted Rope of Scarfansky, New Jersey.

Finally, the evening came to the point where the final reader was introduced.

"It's my great privilege," Graydon said, mustering all the "hurrah-for-the-little-guy" he had, "to introduce a first-time reader, Mr. Cyril Beacon. You may know him as the owner of Beacon Hardware, but his poetry is raw as newly turned earth, supple as the first buds of spring, and khaki. His work is tremendously khaki." Then, with a gracious bow: "I give you Cyril Beacon."

Polite applause was supplanted by surprised applause, interspersed with curious applause. Cyril made his way to the lectern. He'd never stood at one before, but he was glad for it. He set the pages of his poems atop it, and steadied himself. "Thank you," he said.

Cyril proceeded to read a prose poem about a man who never had time to write, so he feigned insanity in order to be committed to a psychiatric ward. There, he had all the time in the world to covertly work on his novel, in between sessions of fooling doctors and nursing with his charade. Interacting with fellow patients, however, was another story. They wore on him. The prose poem ended with the man finally being released from the psych ward, pronounced sane, but by then actually severely mentally ill.

The audience didn't seem sure that the poem had ended when it ended, so Graydon led the polite applause to break the awkward silence following the piece.

Cyril read another prose poem. This one was based on an image that when people were born, they materialized in a forest with one end of a rope tied around their waist, and the other end tied to a tree. The people picked up the excess rope and began their journey through the forest -- through life. They made turns, here and there, and every once in a while tugged on their rope to feel the resistance of the tree by which they first awoke. But as people got older, and made more and more twists and turns through the forest, they no longer felt the resistance of that original tree, but of subsequent trees. When people ran out of slack, that was the end of their lives. Some people materialized in the forest with short ropes, and some with very long ropes. Some peoples' ropes criss-crossed and became tangled.

Cyril received polite, if diffident, applause when he finished his reading. Graydon returned to the podium, moving as though he'd been kicked squarely in his pocket Proust. He applauded, but his mustachio twitched.

"And on that very khaki note," he said, "let us now enjoy some wine and cheese."

During the reception, there was muffled talk about Cyril's work and reading. The pervading opinion was that he was a good soul who should stick to selling shovels and pliers and lengths of chain.

"He sounded so ordinary," Myrna Swinebuff stage-whispered to her book club friends. "He didn't have any of the natural presence of Graydon, or any of the other readers, poor soul."

"You know, there wasn't a single grandmother or quilt or canned preserve in any of his work," Oliver Hazelwood said to his partner. "Graydon said it perfectly when he described the poor man's work as 'khaki.' It so was."

As it turned out, the whispers of the literati gossipers were prophetic: Cyril was never again invited to read his work at the Boilston Festival of the Book.

"That's OK," Cyril said to his collie, Seamus. "They weren't really my crowd, anyhow."

But he thought of the Festival of the Book, and the literati, every once in a while. In fact, he did so every time he sold a shovel or bucket.

Finally! Airport security we can believe in!

From The Washington Post:
"To identify potentially dangerous individuals, the Transportation Security Administration has stationed specially trained behavior-detection officers at 161 U.S. airports. The officers may be positioned anywhere, from the parking garage to the gate, trying to spot passengers who show an unusual level of nervousness or stress."
What signs and attributes and behavior are they looking for, which would unmask a potential terrorist?
  • Nervousness and/or stress

  • Carrying "bag-like" items on or around their person

  • Perturbed by delays and cancelations

  • Traveling alone or in small or large groups

  • Appearing preoccupied with "being somewhere else" -- perhaps a place where 72 virgins await them?

  • Flustered or otherwise fidgeting with documents and/or tickets
There have long been sober plans of simply eradicating air travel altogether, but so far no better way to draw these "questionables" into the light of day has been formulated.

Until that day, the unprofitable insanity of airports, airlines and airport security continues.

Pray for the day when real-time X-ray footage of whole neighborhoods can be obtained and scrutinized by security professionals so that the madness of people leaving their homes can end.

Tuesday, November 03, 2009

Dying to Get In

A young pathologist bites into an apple while conducting an autopsy. His supervisor walks in a moment later, sees the apple, sees the young pathologist chewing, and shouts, "What are you doing?"

The young pathologist flinches and says, "This is the morgue. I'm eating. Everyone on TV and in movies eats in the morgue."

His supervisor says, "I know that, but you'll ruin your appetite," as he moves to a nearby gurney and pulls away a white sheet. Beneath it lies a fully appointed salad bar.

By the end of the week, the pizza buffet, chocolate fountain and Mongolian grill have been installed. There is hardly enough room to roll in bodies to the examination table.

The supervisor's supervisor laments, "What have you done to my morgue?" The supervisor flinches and says, "Everybody eats in the morgue." His boss shouts, "No! Only morgue technicians and pathologists used to eat in the morgue! Now everyone wants to eat down there!"

Weeks later, the morgue is filled with small dining tables covered with white linen, a candle on each for ambiance; a congenial murmur rises from the formally dressed diners. In a far corner of the morgue sits the young pathologist, a small desk lamp illuminating bills of lading before him. He speaks quietly, but forcefully into a telephone, trying to get a better deal on veal and fennel.

Monday, November 02, 2009

DubiousPedia.org: The Online Encyclopedia for Our Changing Times

What makes DubiousPedia unique among all of the millions of information sources on the Internet?

DubiousPedia is the only information source that can be edited any time, with any content, by any person on the Web.

We believe that if you have the intelligence to turn on a computer and open a Web browser, then you're more than qualified to alter and add to the wealth of information available for free on DubiousPedia.

Some sample entries:
  • "Steven Tyler led the Cleveland Indians in battle against General Custer in 1869, where Custer and his men won in the 11th inning on a surprise bunt laid down by J. Edgar Hoover."

  • "After writing the Bible, and a number of stage plays under the pen name 'William Shakespeare,' Jesus Christ retired to Little House on the Prairie, Arkansas, where he pursued moonshiners."

  • "In 1974, Michael Moore of Flint, Michigan invented Communism."

  • "After single-handedly winning World War I, Ronald Reagan invented electricity and ice cream and built an actress named Marilyn Monroe in his laboratory."

  • "The Reverend Billy Graham rode a brontosaurus out of the Garden of Eden one day a thousand years ago, but was unable to find his way back. He lay -- in the biblical sense -- with the first woman he met, and the two of them went on to populate the earth aboard an ark."

  • "God, Yahweh, Jehovah, I-Am-Who-Am, Bubba-From-the-Stars is a Caucasian male born in Lubbock, Texas in 1903 and went on to be a champion eater of baby-back ribs on the competitive-eating circuit."

  • "Scientists believe the earth is 133 years old."
We live in a "customer service" culture where citizenship had been abdicated for consumership. It's not enough to want what we and want and to want it now, people have the right to believe what they like, and to have written proof supporting their beliefs on the Internet.

Hence, DubiousPedia.

Check it out today, and share your wisdom!

Job Application -- Prose Poem

(Originally appeared in The North American Review in 2005)

To: Minna Construction

From: Whetam Gnauckweirst

Please accept this prose poem as a request for employment with your company as court writer, stenographer, poet, and balladeer. I have impeccable personal hygiene, quick reflexes, I'm punctual, observant, have my own vehicle, take few sick days, and make friends easily. I know how to help by staying out of the way. My sense of humor has been described as "off color" and "obscure", however, my daily manner of speech is laden with profanity. I'm an avid watcher of the TV show C.O.P.S., which aids me in relating to the common man.

Why would a construction company need a poet? Because throwing a handful of coins behind nearly finished walls doesn't do justice to the feat of Building. I will write epic poems about your skill and tenacity (Petrarchan sonnets are my specialty), about the vagaries of weather, temperature, and terrain on which you work. I will sing odes during lunch breaks. I'll go out for coffee and sandwiches. I'll produce a monograph dedicated to the band of brothers, to their nail guns and dirty boots when the job is finished. To their camaraderie. And when we repair to the neighborhood tavern for ale and spirits, I will regale patrons with tales nails and wood, drywall and tear-dampened cement. I will produce what your sweaty brows, dirty hands, and two-by-fours will not: life everlasting.

Sunday, November 01, 2009

The True Greatest American


According to the Discovery Channel a few years ago, Ronald Reagan was voted the "Greatest American." Helpful to Reagan's cause was that the vote took place shortly after his death. Had one of the Keebler elves died shortly before the vote, there's certainty that he would have won the vote.

Inside the Hotdog Factory has undertaken an exhaustive, scientific study -- so secret that its results are not available to anyone to evaluate -- looking into who truly was the Greatest American. After years of polling and study, a winner has been determined: Evel Knievel.

Although the exact criteria used to winnow down to the Greatest American cannot be shared with the Philistine public, it can be revealed that candidates were looked at for their creativity, free market fundamentals, commitment to capitalism, ability to capture the public imagination, and actual, tangible contributions to the world that bettered life for humanity in concrete ways. Under the weight of those variables, most politicians, writers, artists, musicians, actors, philosophers and "humanitarians" were quickly dispatched with. It should be noted that not only did Ronald Reagan not make it into the Top 10 of our Greatest Americans, but that Bozo the Clown and Al Goldstein rated higher than the ex-president.

But enough with the losers, let's talk about the winner.

Evel Knievel never dreamed up a dangerous idea and then sent someone else into harm's way to fulfill it (though various accidents following jumps did manage to blind two cameramen -- each losing an eye -- on separate occasions). He always put his own body on the line. The more daring the stunt, the more people would want to see it, the more tickets were sold, the more TV cameras were on hand, the more money was made. The man should have been named Kapitalism Knievel, he so embodied the free market spirit.

His first jump took him over the fountains in front of Caesar's Palace in Las Vegas, on December 31, 1967. Knievel crashed, broke just about every major bone in his body, and remained in a coma for 29 days. He recuperated, devised another jump, and continued to earn his living by risking his life. He even paid for his own copious health care.



Hightlight Reel (from Wikipedia)
  • On May 25, 1968, in Scottsdale, Arizona, Knievel crashed while attempting to jump fifteen Ford Mustangs.

  • On January 7 and January 8, 1971, Knievel set the record by selling over 100,000 tickets to back-to-back performances at the Houston Astrodome.

  • On February 28, he set a new world record by jumping 19 cars with his Harley-Davidson XR-750 in Ontario, California.

  • On May 10, Knievel crashed while attempting to jump 13 Pepsi delivery trucks.

  • [I]n November, 1973, he successfully jumped over 50 stacked cars at the Los Angeles Memorial Coliseum.

  • On September 8, 1974 Evel Knievel attempted to jump Snake River Canyon. The parachute on the "skycycle" deployed prematurely, ruining the jump and nearly causing Knievel to end up in the water below.

  • On May 26, 1975, in front of 90,000 people at Wembley Stadium in London, Knievel crashed while trying to land a jump over thirteen redundant single-deck AEC Merlin buses.


  • On October 25, 1975, Knievel successfully jumped fourteen Greyhound buses at the Kings Island theme park in Ohio.


  • In the winter of 1976, Knievel was scheduled to jump a tank full of live sharks live national television. During a rehearsal, however, Knievel lost control of the motorcycle and crashed into a cameraman. The jump was canceled.

  • On January 31, 1977, during a dress rehearsal for a CBS special on live daredevil stunts at the Chicago International Amphitheatre, Knievel crashed, breaking both arms and his collarbone.
When the jumps went bad, there was no golden parachute for Knievel to deploy, no executive privilege to invoke, no battery of attorneys behind which to hide. When he crashed, he was often smashed to bits. Because he had so many jump dates scheduled in advance, his broken bones were often set with metal plates beneath his skin so that he could continue performing unhindered by bulky casts.

One of his jumps in the early 1970s was attended by a large contingent of a motorcycle gang. As Knievel was going through his pre-jump show -- riding wheelies, standing on the motorcycle seat, riding his motorcycle backwards -- one of the bikers shouted an expletive that Knievel heard. It was a family show and Knievel was incensed that such un-family-friendly language was used amid his audience. So, he rode over to the offending lout and punched the biker in the face. This mobilized the entire motorcycle gang to attack Knievel. As the bikers rose to converge on the daredevil, an even larger contingent of union guys jumped up from their seats and converged on the bikers. An epic brawl ensued in which the union guys laid waste to the bikers, many of whom were hospitalized for months afterward.

Evel Knievel never asked anyone else to fight his battles, but he inspired such loyalty in his fans that they spontaneously came to his aid when it was needed.

By the end of his jumping career, Knievel said that he earned approximately $60 million and spent every cent of it, never knowing which jump would be his last. He never raided a Savings & Loan, never engineered a Ponzi scheme, never bilked anyone out of anything. He did, however, once beat the shit out of a person he believed had severely wronged him:

On October 14, 1977, Knievel pleaded guilty to battery and was sentenced to six months in county jail and three years probation. The charges stemmed from his assault with a baseball bat upon Shelly Saltman, promoter of the Snake River Canyon jump and author of the book Evel Knievel on Tour. Saltman's book alleged that Knievel abused his wife and kids, and that he used drugs. The accusations so angered Knievel that he attacked Saltman -- with the aid of two henchmen -- with two broken arms.

For his courage, character and commitment to capitalism, Evel Knievel was the logical choice for the Inside the Hotdog Factory "Greatest American" title. If only the old motorcycle maven were around to enjoy this accolade.

Coffee Rogue: Three Prose Poems

I
(originally appeared in The North American Review)

I see you: a tall, golem-faced ectomorph skulking around the office casting the sidelong glances of an accomplished flasher. Your soul is poisoned, I have no doubt of that, the way you fill your coffee mug from the communal pot and leave only that last, spiteful splash behind, never, ever, never bothering yourself to brew a fresh pot.

Do you come from an unbroken line of rotters? I see your first ancestors urinating into campfires that took all night to light, feigning injury while the rest of the tribe went out hunting; your forebears hanging around the cave eying the interns.

What unnerves me most, is that your footsteps make no sound. I recall, once, voiding at a urinal in the restroom and hearing the door open, and then suddenly you were squaring up at the urinal next to me; your presence making my bashful bladder shrivel.

Coffee rogue, I think about filling two carafes with toilet water and walking up behind you at your desk and smashing the carafes together like cymbals above your head. But something tells me you’d probably enjoy that.


II

You hover around the coffee maker like a crow seeking carrion. You are the Iago-gossip slithering about, calm and content in your meager shell that belies no self-indulgence. Still, you are a rogue wave amid womanhood, your cabbage patch half-smile and see-nothing eyes do not deflect me from knowing you mean none of us well. Unlike your male counterpart, you hang back so that you’re not actively disliked, though I don’t doubt that if you were a sorority sister on the Isle of Lesbos millennia ago -- as the naked volleyball team practiced on the beach beneath the new sky -- that you would have groused in shadows and hogged all of the barrettes for yourself.


III

There you are, humiliating yourself, making feeble amends, filling a coffee pot from the water cooler with a look on your face like you're aiding animal husbandry or pouring molten steel into a thimble. Your ferret eyes turn to me as I enter the kitchenette, your gray expression exuding the contempt of kings emptying their own chamber pots.

Watching your awkward, motionless operation, I envision you at the age of nine, sleeping over a friend's house the night a storm swells outside. In the middle of the night, lightning pitchforks from the sky, thunder rumbles its malevolent bass note, and your friend's mother opens a groggy eye in that momentary flash to see you standing at the foot of the bed like a Brady Bunch Jack the Ripper.

Parents throughout your old neighborhood whispered to one another, "Something off about that boy."

My morbid mind wonders if you wear this expression while making love to your wife or hugging your children; your rogue DNA painted through their morose cells like graffiti on a train trestle.

At least, as we stand waiting while the coffee brews, I don't have to worry about making small-talk.

Thursday, October 29, 2009

Paranormal Activity: a review

My original response to the film Paranormal Activity.

Paranormal Activity is a movie of many dichotomies. It's amazingly suspenseful at times, yet crushingly dull at others. There are some genuinely frightening scenes, and yet also some frightfully inane moments. One of the two main characters is the target of a malevolent, monstrous force and seeks an answer to and release from the problem. The other central character acts -- during the same harrowing moments -- like it's playtime.

What the film gets right
There is no fang-brandishing, hunched, hairy CGI monster prowling this horror movie. Suspsense is masterfully created and heightened by the use of eerie soundscapes. The malevolent force makes its presence known by a low rumbling that sounds like the start of an earthquake. Then, behind that, there are various creaks and footsteps and other subtle manifestations. When there is visual manifestation of the presence, it comes in the form of the bedroom door moving on its own, the living room chandelier moving, as well as other objects. When one of the main characters powders the upstairs hallway with baby powder, hoping the entity will leave footprints, proof of the entity's movements in the house are scant, but present. They're compelling due to their scarcity.

What the film gets wrong
One word: Micah.

The main characters of Paranormal Activity are Katie and Micah. Katie, a college student, believes she's been haunted by a demonic presence since the age of eight. Micah is her live-in, day-trading boyfriend, to whom all of life, all the world, especially his girlfriend's supernatural stalker, is merely a joke; some spoof to be captured on camera. The movie is comprised of footage he shoots with a new video camera purchased for the purpose of documenting the "paranormal activity" that appears to follow Katie around.

Micah is obnoxious in the extreme from the get-go. He's an arrogant, shallow, frivolous frat-boy who alternates between inane jokes at Katie's expense, and empty bluster and boyish bravado when the shit starts to hit the fan. The inference of the movie is that Katie's haunting is exascerbated by Micah filming the happenings -- running the camera from a tripod while they sleep, capturing the majority of the activity when neither is conscious. Then there are the moments when Micah goes around the house with the camera "calling out" the demon like a drunken lout looking for a barfight.

Early in the movie, when Katie invites a psychic to the house to check things out, Micah comes up with one of his brilliant ideas: Why not get a Ouija board, ask the entity what it wants, and then give the entity what it asks for? To which the psychic says, "The problem is, I believe it wants Katie."

Micah's silent reaction? Most likely: Oh, didn't think of that.

After promising "not to buy a Ouija board," Micah cleverly borrows one -- and actually argues the fine distinction of his promise. Katie is rightfully outraged, having begged Micah not to undertake such actions that might aggravate the demonic presence. But since Micah cares for no one but himself, he is slow to acquiesce, and does so only after the damage is done.

What the film further gets wrong is how long Katie and Micah remain in the house where the escalating hauntings occur. Yes, it's established early on that Katie is the one being haunted, so moving locations, technically, wouldn't help. But given the foothold the presence has in that house, what could it hurt? By the time they decide on the obvious, it's too late.

In the end
The movie scores points with lay-ups -- meaning, all the scary stuff happens at about three o'clock on the morning. You can't miss with that. And you can't miss when you have scary shit happening to characters who are fast asleep -- especially under circumstances where no one with any ordinary functioning nervous system would be able to sleep. The reliance on the sound effects saves the day. But for every gain the sound departments achieves, the character Micah piddles away. The film is by turns jarring, affecting, annoying and boring.

It seems that Paranormal Activity maker, Oren Peli, is having trouble finding funding for his next film, Area 51. That may be due to the fact that not every film can be saved by sound effects. If Paranormal Activity says one thing about Peli, it's that he has no skill at as a storyteller. He creates situations, he can establish and heighten suspense, but the house of cards is continually falling due to the very weak story holding things together. He has a very difficult time making the audience care.

The film is worth seeing, but it all really boils down to watching two people being scared to death while they're asleep. That's the crux of the movie, which is not much for one to hang his hat on.

Tuesday, October 27, 2009

Battle of the self-publishing titans: A review of Wordclay's services

Here is the feedback I recently provided to Wordclay.com's customer service:

I've been using Lulu.com since 2005, and thought I'd give Wordclay a try because Lulu's shipping rates have become outrageous. I uploaded -- and then deleted -- a manuscript to Wordclay this morning, and if anyone's interested, I have the following feedback:

Manuscript formatting
Although I was using an approved font -- Calisto MT -- my manuscript came out all wonky in the galley. I changed my font to Georgia, and that solved the problem, except for the fact that I prefer Calisto MT.

Wordclay's copyright page
Although I already have a proper copyright page in my book, Wordclay added it's own. So, my book had two copyright pages, which also threw off my headers at the beginning of the book (I don't want headers or footers to show until the start of the actual text of the book on page 14 or so. I had this all set and formatted in MS Word, but Wordclay's "bot" undid that).

Table of Contents
Not all of my books have a Table of Contents, but this one did. On entries where the text wrapped to a second line, I had formatted the page numbers to appear, along with all of the others, at the far right side of that page. Wordclay's "bot" undid this formatting so that pages numbers for entries that wrapped appeared right after the title, on the left.

WORST
The DIY cover fee/process. I was all set to go through with the publication process, just to see the quality of a Wordclay book, but was stopped in my tracks by the limited cover art options. I will not pay -- nor should I have to pay -- $25 to use my own cover art. You don't need a panel of experts to take my cover's rectal temperature, Wordclay only needs to provide dimensions and recommended resolution specs to users in order for proper covers to be uploaded.

Conclusion
So, there ended my experience with Wordclay. In light of the cover art limitations and fee, I won't and cannot abide the needless and awkward alterations to my manuscript by the Wordclay "bot", and thus will publish none of my work with Wordclay. I found you on Stumbleupon about a year ago, and only my inchoate dissatisfaction with Lulu.com led me to try you out. I don't agree with Lulu's outrageously overpriced shipping fees, but their service is easy-to-use and intuitive, and respectful to my work. They also allow mere vulgarians to upload their own cover art without the Panel of Elders' scrutiny beforehand.

Good luck and goodbye.

Monday, October 26, 2009

My own "Paranormal Activity" with a unionized poltergeist

Ever since I was a child, I've been freaked-out by the dark. When I was about seven or eight, I saw an episode of The Courtship of Eddie's Father (starring Bill Bixby), in which the magazine the main character published was running a story about ghosts. A blurry, black-and-white photograph of a "ghost" was shown, which to my young eyes looked like the Genuine Article. It scared the hell out of me. More than that, it left me with the subterranean dread: Oh no! Now the ghosts know that I know about them! They'll never let me live with this information! Which led to a string of sleepless nights.

The ghosts, however, did let me live. I guess I wasn't the threat to them that I figured I was.

To this day, though, I can't slide aside a closed shower curtain without involuntarily holding my breath, certain that either the Angel Gabriel or a moldering zombie -- something like that decomposing naked lady in Stanley Kubrick's adaptation of The Shining -- might be standing in there. I'm a light sleeper. My mind assigns the most sinister origins to every creak and wheeze of my house in the middle of the night. I'm a rational atheist who knows there are no monsters prowling the dark, or waiting beneath my bed to grab my ankles, or standing behind doors waiting to throw an otherworldly half-nelson on me. Still, I keep a shillelagh under the bed.

In my weaker, more ridiculous moments, I'm sure I'm being stalked by an entity. Except, my pursuer is of a lazy, non-proactive variety. For instance, I only feel his presence after watching horror movies -- only particularly unnerving horror movies, like Ju On or The Ring, or most recently Paranormal Activity. It's as though my entity is a unionized dullard who loafs on the job until his supervisor gets wind that I've seen another horror movie.

"What are you waiting for?" the underworld supervisor shouts at my stalker. "Do you want him to keep watching horror movies until he's completely unmasked us?"

"No," my entity replies, hating to be yelled at.

"Well then, get him!"

So, my entity wakens in my attic and kicks a beam or two. Then, maybe, he passes between the walls down to the unfinished basement and messes up the messy pile of laundry lying on the floor by the washer and dryer. All the while, my insomniac antennae sends an alert to my brainstem, which disseminates a bulletin to all my nerve-endings: Something from the underworld is afoot.

But it never gets any more dramatic than that. My entity creeps around in the hallway outside my bedroom, looks over my collection of DVDs in my office -- probably stifles a sneeze because I never dust in there; and then curses himself for stifling the sneeze, realizing he's on scene to frighten and intimidate me; make me fear for my soul, for my sanity.

After all, I recently saw Paranormal Activity where I witnessed a very credible demonstration of a person being swallowed up by demonic possession. The film achieved the strangest wire-walk between stark terror, excruciating suspense, and utter dullness in between scares. But the scares stuck. I believe. I know an entity is also hunting me. He's just not very organized or consistent with his efforts. Maybe he's got an attitude problem, or trouble dealing with authority.

Demons (I throw all otherworldly beings into the same grab bag; maybe they'll come after for doing that) are supposed to be of a sinister nature, are they not? So, what's to keep a demon from disobeying his supervisor's orders? I can see the malevolent entities in their dark, dank lockerroom as they suit-up for another night's haunting. They greet each other with the old saw, "Haunting hard?"

"Hardly haunting."

Guffaws echo through the morgue-tiled changing area. A poster on the wall reads: "You don't have to be evil to work in this place, but it helps!"

Somehow, though, I think my entity got into the wrong line of work. "I'm a sloth-demon at heart," I can hear him confiding to a friend over drinks after the haunt. "I just want to plant myself somewhere, slow everybody down, muddle a few of the weaker minds, spoil a harvest or two, get someone chased out of the village. You know."

"Sure, sure," my entity's compadre says. "But you have to wait for a retirement to get one of those plum positions. Nobody's quitting those."

"I know," my entity grouses into his drink. "It's all who you know, not what you know."

"Count yourself lucky you're haunting in North America," the compadre says. "You ever get assigned to the Caribbean?"

"No."

"Shit, those shaman and witchdoctors'll eat you for lunch. We could learn from them."

"No kidding?"

"I don't kid about these things."

And so my entity gets lazy, rationalizing, Well look at this guy I'm haunting. He's an atheist, swears like a dockworker, laughs at only the sickest jokes, and reads the damnedest, most depressing books about the JFK assassination and C.I.A. drug-running. And that blog of his! Don't get me started on that blog! What's left for me to do?

So, word of my having seen Paranormal Activity has reached the underworld and my entity is back. I was up late last night working on the computer, and kept looking into the darkened hallway beyond the door, somehow thinking a bone-white, ancient, mummified form might suddenly sprint into my office, screeching unintelligibly, tackling me to the floor. Or, the Web browser on my computer screen fading out and being replaced with a horrifying face. Or, going into the bedroom where my wife slept without bother, and the ceiling fan might turn into four arms that'll lunge down, silently pin me to the floor so that I could be carted off to the underworld to be --

To be what?

I never get that far. What in the world would an otherworldly entity want with me? I have no information that would be useful to a presence that can presumably walk through walls and invisibly spy on people. And though I believe in the existence of a human soul, what would an entity -- or the outfit employing an entity -- want with my soul? It's not like it's capable of manual labor. To my knowledge, it's not combustible, or otherwise useful as fuel. There's a possibility souls could be held for ransom, or used as bargaining chips in disputes with benevolent deities. But that seems thin. I can't see my entity playing a mystical game of chess with Ra or Zeus or Xenu, for my or anyone else's soul. Poker is too crude and trendy a game to interest the underworld. Just because a presence may exude stinky ectoplasm on a suede couch, doesn't mean it would submit to the pedestrian rules of card play.

So, where does this leave me? The heebie jeebies inspired by Paranormal Activity are beginning to ebb. My entity seems already to be losing interest in me. I still jump when dishes in the sink shift, as gravity slowly attempts to reshuffle everything in the world that's stacked. Never in my life have I witnessed something I would even remotely consider "supernatural." Sure, the movie has me thinking about it. Maybe it's like everything else in the movies: the cinematic entities are looming and terrifying, powerful and cunning, when, in fact, ghostly presences in real life -- if they exist at all -- are nothing more than invisible roustabouts throwing rocks at someone's house in the night, running away, giggling, thinking, We so got them!